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  • Streaming + Download

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  • Full Digital Discography

    Get all 5 Srdjan Ivanovic releases available on Bandcamp and save 45%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Sleeping Beauty, Frame & Curiosity, La mer, la pierre, la terre, l'oiseau, Jalkan Bazz, and Finding A Way. , and , .

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  • SRDJAN IVANOVIC BLAZIN'QUARTET - Jalkan Bazz (CD)
    Compact Disc (CD) + Digital Album

    SRDJAN IVANOVIC BLAZIN'QUARTET - Jalkan Bazz (CD)
    CD purchase includes automatic download in any or all formats of Your choice: WAV, FLAC, ALAC/M4A, MP3-320.

    Includes unlimited streaming of Jalkan Bazz via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Dream 03:10
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Gianni 03:16
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Hope 04:05
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Jalkan Bazz 05:12
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U.F.N. 06:05
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about

Jalkan Bazz is the second album of the Blazin' Quartet, recorded with producer and guest guitarist/vocalist the cult artist from Yugoslavia - Rambo Amadeus. An important characteristic of this very hip band is their use of electronics, which they mingle in a very modern way through their compositions.These compositions are rooted in jazz but have influences from different sides such as the Balkan, Western-Europe, Scandinavia. The band found out years ago that they do not need a piano or any other harmonic instrument at all: trombone, sax, drums and bass do the trick together with the electronics. The result is a sound that appeals immediately and it makes their jazzmusic alive & kicking! -

credits

released March 5, 2012

Originally released in 2011 on Challenge Records, Netherlands

Srdjan Ivanović - drums
Mihail Ivanov - bass
Joao Driessen - tenor saxophone
Michael Rorby - trombone

with guests
Rambo Amadeus (tracks 1, 3, 7, 11) - Electric Guitar, Vocals
Milena Đukanović (tracks 1) - orhan
Baracskai Zlatko (tracks:1, 5, 7, 9) - turntables

Produced by Rambo Amadeus

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about

Srdjan Ivanovic

Blending oriental musical philosophy with the adventurousness of Jazz, Blazin' Quartet has created a unique sound, ranging from melodic to rhythmic, concrete to abstract and acoustic to electronic.

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